{"title":"Fashion","description":"","products":[{"product_id":"fragile-face-lay-flat","title":"Fragile Face Lay Flat","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFragile Face Lay Flat \u003c\/em\u003epublished by Venetia Scott and Sion and Moore to accompany Scott's exhibition of the same name at Matches, 5 Carlos Place (17-28 September 2019). \u003c\/p\u003e\n\u003cp\u003eThe book presents all the works from Scott’s new series, which she created by cropping images from her archive of fashion editorials and campaigns, leaving only the models' faces. The resulting portraits stand apart from their original contexts, drawing attention to each girl's strong, distinctive gaze. They are beautifully eerie, looking as if they might have been taken from missing person files. The face of each girl captivates the viewer but stops short of telling us everything we might want to know.\u003c\/p\u003e\n\u003cp\u003eLimited edition of 250 copies, hardcover. Designed by Michael Nash Associates. \u003c\/p\u003e","brand":"Venetia Scott","offers":[{"title":"Default Title","offer_id":29555239911535,"sku":"","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/WhatsApp_Image_2026-06-10_at_15.03.52.jpg?v=1781100491"},{"product_id":"robin-muir-under-the-influence-john-deakin-photography-and-the-lure-of-soho","title":"Under the Influence: John Deakin, Photography and the Lure of Soho","description":"\u003cp\u003eJohn Deakin was one of London’s greatest postwar photographers, renowned for his penetrating portraits, haunting street scenes and inventive fashion work. Though recognized as a genius by both peers and rivals – a ‘photographer with extraordinary eyes’, as one contemporary described him – he was prodigal and careless with his talent. He flourished briefly at Vogue, but the lure of nearby Soho with its pubs, clubs and subterranean watering holes led him away from regular employment. Loved and loathed in equal measure, Deakin was a legendary member of the quarter’s bohemian crowd of artists and misfits. His circle included the painters Francis Bacon and Lucian Freud, the writers Dylan Thomas and Jeffrey Bernard, and the socialite Henrietta Moraes and Muriel Belcher, proprietor of fabled drinking den the Colony Room.\u003c\/p\u003e\n\u003cp\u003eCoinciding with an exhibition at The Photographers’ Gallery, Under the Influence: John Deakin, Photography and the Lure of Soho explores the hidden corners and colourful characters of this notorious part of London as seen through Deakin’s eyes. With dozens of his most compelling images, letters and contact sheets, it is an evocative record of life in and around the four parallels of Wardour, Dean, Frith and Greek streets in the 1950s and 1960s, the backdrop for this creative and maverick figure ‘whose pictures take you by the scruff of the neck and insist that you see’. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Art\/Books, 2014.\u003c\/p\u003e","brand":"Robin Muir","offers":[{"title":"Default Title","offer_id":53746482250113,"sku":"","price":65.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_473copy.jpg?v=1781023260"},{"product_id":"self-service-ete-1996-no-3-20f","title":"Ete 1996 No.3 20F","description":"\u003cp data-start=\"62\" data-end=\"395\"\u003e\u003cem data-start=\"62\" data-end=\"93\"\u003eSelf Service No. 3 (Été 1996)\u003c\/em\u003e is an early issue of the Paris-based fashion magazine founded by Ezra Petronio and Suzanne Koller. Emerging at the centre of 1990s independent fashion publishing, the magazine combines high-end editorial fashion with an experimental graphic language shaped by the duo’s design studio Work in Progress.\u003c\/p\u003e\n\u003cp data-start=\"397\" data-end=\"815\"\u003eThe issue presents seasonal fashion editorials alongside portraits and studio imagery by photographers associated with the era’s emerging “anti-gloss” aesthetic, including contributors linked to \u003cem data-start=\"592\" data-end=\"600\"\u003ePurple\u003c\/em\u003e and the wider Paris–New York fashion circuit such as Mark Borthwick and Anders Edström. The visual approach emphasises natural light, pared-down styling, and a diaristic, often intimate mode of fashion photography.\u003c\/p\u003e","brand":"Self Service","offers":[{"title":"Default Title","offer_id":53807727083905,"sku":"","price":160.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_1000.jpg?v=1781092200"},{"product_id":"alex-prager-compulsion","title":"Compulsion","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eInspired by the photography of Weegee and Enrique Metinides, and films such as \u003cem data-start=\"229\" data-end=\"241\"\u003eMetropolis\u003c\/em\u003e and \u003cem data-start=\"246\" data-end=\"264\"\u003eUn Chien Andalou\u003c\/em\u003e, \u003cem data-start=\"266\" data-end=\"278\"\u003eCompulsion\u003c\/em\u003e confirms Prager's vivid cinematic aesthetic. Unlike her previous work, however, the protagonists remain anonymous and distant. Prager's new series investigates the complexity of observation within a society inundated by compulsive spectators, as well as the recurring discourse in photography—that \"meaning\" is often derived from a multiplicity of gazes.\u003c\/p\u003e","brand":"Alex Prager","offers":[{"title":"Default Title","offer_id":54292680802689,"sku":"","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_881.jpg?v=1781024538"},{"product_id":"takashi-homma-my-nice-t-shirts","title":"My Nice T-Shirts","description":"\u003cdiv class=\"textLayer\"\u003e\n\u003cspan dir=\"ltr\" role=\"presentation\"\u003eA reflection on a series of t-shirt\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eworks produced throughout\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eTakashi Homma’s career,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003edocumented for the medium of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eRisograph and translated into zine\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eformat. Homma’s conversational\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eapproach to process is expanded\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ethrough the interspersion of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003esocial media screenshots.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eThroughout the zine, The viewer\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003efinds themselves on a dialogical\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ejourney through the process of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eseeing, meeting the distant eyes of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ea model, the smile of a baby, or the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003elens of a camera.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eTakashi Homma\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e \u003c\/span\u003eis a Japanese\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ephotographer, born and based in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eTokyo. His work is recognised for its\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003etender, considered portrayal of identity\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eand culture in Suburban Tokyo.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eHomma left Nihon university of Art \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ein 1984 to work as a photographer\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eat a Japanese advertising agency,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ebefore moving to London in 1991 to\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ework as the in-house photographer\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eat iD magazine. Homma’s career\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ehas seen him tirelessly document the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003emany visual facets of Tokyo over the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003elast 40 years, developing an honest\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eand arresting sense of distance and \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eisolation, that does not necessarily\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eprovoke alienation, but a sense of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eunderstanding, reflection and dialogue.\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"textLayer\"\u003e\n\u003cspan dir=\"ltr\" role=\"presentation\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"textLayer\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eNo.50, Hato Press,\u003c\/span\u003e\u003cspan\u003e 2024\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Takashi Homma ホンマ タカシ","offers":[{"title":"Default Title","offer_id":54553678971265,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_872.jpg?v=1781093453"},{"product_id":"eloise-labarbe-lafon-american-album-preorder-signed","title":"American Album *Signed","description":"\u003cp data-start=\"93\" data-end=\"361\"\u003e\u003cem\u003eAmerican Album\u003c\/em\u003e is a book of images captured on the road, retracing a love story across the United States, in a time when the American dream seems to be collapsing. A journey where the protagonists chase after something elusive while fleeing an undefined reality.\u003c\/p\u003e\n\u003cp data-start=\"363\" data-end=\"1010\"\u003eOn this runaway path, landscapes scroll past—similar yet shifting—like cardboard sets endlessly renewing themselves. Hotel rooms, diners with empty plates, colourful houses, desert vistas: a frenetic accumulation of frozen moments, like the compulsive cataloging of a desire to immobilise the ephemeral, an irrepressible need to grasp and classify everything. But beyond the fantasy, all is changeable. Sets fade and reverse; the quest appears to end, only to slip away again, in a whirlwind, a gentle storm where all bearings dissolve. In a dazzling and artificial America, the lovers leap from one film to another without ever finding the exit.\u003c\/p\u003e\n\u003cp data-start=\"1012\" data-end=\"1354\"\u003eOil paint applied to black-and-white photographs heightens this oscillation between reality and illusion. Sometimes faithful, sometimes dissonant, it reinterprets the world, granting each image a new dimension. 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Beyond commercial work, Shafran is acclaimed for his intimate, understated images that explore the quiet beauty of everyday life—capturing moments with his partner Ruth, his family, and domestic spaces.\u003c\/p\u003e\n\u003cp data-start=\"452\" data-end=\"651\"\u003eThis book brings together key series from 1992 to 2004, including \u003cem data-start=\"518\" data-end=\"528\"\u003eRuthbook\u003c\/em\u003e, \u003cem data-start=\"530\" data-end=\"544\"\u003eDad’s Office\u003c\/em\u003e, and \u003cem data-start=\"550\" data-end=\"569\"\u003eRuth on the Phone\u003c\/em\u003e, forming a tender portrait of time, relationship, and the poetry of the ordinary.\u003c\/p\u003e\n\u003cp data-start=\"452\" data-end=\"651\"\u003eFirst edition. Published by Photoworks\/Steidl, 2004. Second-hand. 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Photographs, scores, and films by forty-one artists, including Dawoud Bey, Roy DeCarava, Henri Cartier-Bresson, Lee Friedlander, David Hammons, Glenn Ligon, Agnes Martin, Steve McQueen, Lorna Simpson, and Wolfgang Tillmans, are juxtaposed with signal texts by Black authors writing during the past century: Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe, and Lynette Yiadom-Boakye.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by MoMa, 2024.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Grace Wales Bonner","offers":[{"title":"Default Title","offer_id":54798037025153,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/Screenshot2026-06-09at17.00.34.png?v=1781020871"},{"product_id":"irving-penn-moments-preserved","title":"Moments Preserved","description":"\u003cdiv class=\"description\"\u003e\n\u003cp\u003eThis collection of photographs was taken by Penn between 1947 and 1958, including portraits, landscapes, and still lifes, all of which first appeared within the editorial pages of Vogue.\u003c\/p\u003e\n\u003cp\u003ePublished by Simon and Schuster, 1960. 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It shows the sliding scale between globally broadcasted shots of underwear models and the utterly intimate shots that are usually kept private, lover to lover.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRenowned for photographs of the female body that counter stereotypical views of feminine beauty, Senta Simond now captures the male form in intimate, vulnerable moments, revealing a rawness often overlooked. 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Stearns","offers":[{"title":"Default Title","offer_id":55048410431873,"sku":null,"price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_285.jpg?v=1781021986"},{"product_id":"elena-bianca-zagari-un-mondo-proprio","title":"Un Mondo Proprio","description":"\u003cp\u003e𝘜𝘯 𝘔𝘰𝘯𝘥𝘰 𝘗𝘳𝘰𝘱𝘳𝘪𝘰 (A World of One’s Own) is a tender portrait of how young women in Naples craft their own inner world.\u003c\/p\u003e\n\u003cp\u003e“What began as a series of small, almost ordinary observations—a gesture, the angle of light in a room, the hesitation in someone’s posture—slowly revealed an emotional landscape. These fragments became a way of tracing how identity is shaped not only by the places we inhabit, but also by the inner spaces we create to feel safe, real, and whole.\u003cbr\u003eAt the heart of the project is the idea that strength has many forms. It can be soft or unspoken, loud or resistant; often, it is tenderness that becomes the most political gesture. Through portraits, interiors, and subtle self-representations, the work reflects on how caring for oneself and shaping one’s physical identity can become acts of self-possession—small declarations of presence in a world that frequently overlooks or stereotypes women’s experiences.”\u003c\/p\u003e","brand":"Elena Bianca Zagari","offers":[{"title":"Default Title","offer_id":55099096367489,"sku":null,"price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_60copy.jpg?v=1781021981"},{"product_id":"kati-horna-by-kati-horna","title":"Kati Horna","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe photographic oeuvre of Kati Horna (1912-2000) spans decades, geographical boundaries and visual practices. Horna witnessed the fall of the Austro-Hungarian Empire; the outbreak of World War I, which ousted her from Budapest, after which she moved to Berlin, then Paris; and the Spanish Civil War, after which World War II prompted her final move to Mexico, her adopted country. It was in Mexico that Horna found her artistic community, among the Surrealist ex-pats Leonora Carrington, Remedios Varo and Edward James. Even as a war photographer, she appropriated Surrealist photomontage, developing an original, intimate style of photojournalism. This superbly produced volume celebrates her extensive and diverse work, much of which has been previously unpublished or available only in limited circulation, and allows us to appreciate the incredible range of her oeuvre, from Surrealist to documentary photography. Featured alongside these photos are a chronology of Horna's life, essays by Peter Baki, Jean-Francois Chevrier, Estrella de Diego, Juan Manuel Bonet and Jos Antonio Rodriguez and a text by Horna's daughter, accompanied by documentary material from her personal archive.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eSecond-hand. Very good condition. Published by Jeu de Paume, 2014.\u003c\/p\u003e","brand":"Kati Horna","offers":[{"title":"Default Title","offer_id":55372879266177,"sku":null,"price":240.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/Screenshot2026-06-10at11.21.35.png?v=1781086925"},{"product_id":"eves-and-white-nights-akira-sato","title":"Eves and White Nights","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-start=\"61\" data-end=\"84\"\u003eEves and White Nights\u003c\/em\u003e is a photographic exploration of youth, intimacy, and nocturnal experience by Japanese photographer Akira Sato. Moving between portraiture, landscape, and fleeting observational moments, the book constructs a dreamlike vision of summer nights suspended between reality and memory.\u003c\/p\u003e","brand":"Akira Sato","offers":[{"title":"Default Title","offer_id":55437186498945,"sku":null,"price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_691_82815b1a-1188-4370-a21e-54b9c2f9ffee.jpg?v=1781024456"},{"product_id":"kishin-shinoyama-japan-tokyo-nude-1990","title":"Tokyo Nude","description":"","brand":"Kishin Shinoyama","offers":[{"title":"Default Title","offer_id":55448364777857,"sku":null,"price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_1051_1_copy.jpg?v=1781087912"},{"product_id":"nest-dash-snow-dan-colen-2008","title":"Nest","description":"\u003cp data-start=\"0\" data-end=\"262\"\u003eThirty volunteers spent three days shredding two thousand New York City telephone books in preparation for one of the most unusual exhibitions staged by a downtown gallery: \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDash Snow\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDan Colen\u003c\/span\u003e\u003c\/span\u003e’s \u003cem data-start=\"255\" data-end=\"261\"\u003eNEST\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"264\" data-end=\"576\"\u003eRecreating their infamous “hamster nest” at 76 Grand Street, the pair opened up a practice that had previously existed only in private. What visitors encountered was the aftermath and the act itself: a chaotic environment of shredded paper, debris and excess, accompanied by video and photographic documentation.\u003c\/p\u003e\n\u003cp data-start=\"578\" data-end=\"947\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eTypically, a “Hamster Nest” involved tearing through vast quantities of whatever paper was available, ransacking a space in an exuberant, overnight burst. These interventions often took place in hotel rooms across the world, leaving behind only scattered Polaroids, fragments of video, and the lingering memory of it all, usually shared by less-than-amused hotel staff.\u003c\/p\u003e","brand":"Dash Snow and Dan Colen","offers":[{"title":"Default Title","offer_id":55486760354177,"sku":null,"price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/Screenshot2026-06-10at10.34.21.png?v=1781084070"},{"product_id":"contacts-collier-schorr","title":"Contacts","description":"\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"52288a44-3b60-468a-b11c-deb3bdae42f9\" data-testid=\"conversation-turn-9\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:9652f8ce-d9b5-4dba-8bbe-9e9081860c41-4\" data-testid=\"conversation-turn-10\" data-scroll-anchor=\"true\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"8f12cfa5-fd31-4ad2-993c-8976017befda\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"321\"\u003eAn incredibly rare, exceedingly scarce book. \u003cem data-start=\"45\" data-end=\"55\"\u003eContacts\u003c\/em\u003e by Collier Schorr was published by IDEA Books in 2015 in a limited edition of 100. The 108-page booklet returns to the material behind \u003cem data-start=\"191\" data-end=\"200\"\u003eJens F.\u003c\/em\u003e (Steidl\/MACK, 2005), shifting focus from the finished photograph to the process of editing, sequencing and image-making.\u003c\/p\u003e\n\u003cp data-start=\"323\" data-end=\"818\"\u003eThe work draws on \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAndrew Wyeth\u003c\/span\u003e\u003c\/span\u003e’s extended study of Helga, where a single subject is revisited over time. Schorr adopts a similar approach in her portrayal of Jens, a young German boy whose gradual transformation becomes the central thread. Using Wyeth’s \u003cem data-start=\"602\" data-end=\"622\"\u003eThe Helga Pictures\u003c\/em\u003e almost as a working surface, she layers it with contact prints, annotations and sketches, foregrounding process over resolution and resisting the idea of the image as something fixed or complete.\u003c\/p\u003e\n\u003cp data-start=\"820\" data-end=\"1004\"\u003eThe project later informed a collaboration with \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eComme des Garçons\u003c\/span\u003e\u003c\/span\u003e, where Schorr developed the imagery into a campaign that became closely associated with the brand.\u003c\/p\u003e\n\u003cp data-start=\"1006\" data-end=\"1293\"\u003e“We can never say what is coming next. We do things right at the last minute. The Collier Schorr book was two weeks from first contact to sold out.”\u003cbr data-start=\"1154\" data-end=\"1157\"\u003e— \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDavid Owen\u003c\/span\u003e\u003c\/span\u003e, speaking with \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eChris Black\u003c\/span\u003e\u003c\/span\u003e for \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eInventory Magazine\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Collier Schorr","offers":[{"title":"Default Title","offer_id":55486787780993,"sku":null,"price":550.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_853_bd956048-f340-4a0d-a4f6-23ffb4ed0b92.jpg?v=1781083627"},{"product_id":"the-inventors-of-tradition-atelier-eb","title":"The Inventors of Tradition","description":"\u003cp data-start=\"0\" data-end=\"567\"\u003eSituated between art, design and social history, \u003cem data-start=\"49\" data-end=\"77\"\u003eThe Inventors of Tradition\u003c\/em\u003e offers a subjective account of the Scottish textiles industry from the 1930s onwards. It brings together examples of significant design alongside archival material from individuals and companies, as well as a selection of short documentary films drawn from the Scottish Screen Archive. In response, artist \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLucy McKenzie\u003c\/span\u003e\u003c\/span\u003e and designer \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBeca Lipscombe\u003c\/span\u003e\u003c\/span\u003e of Atelier have developed a series of new works, spanning clothing, furniture and accessories.\u003c\/p\u003e\n\u003cp data-start=\"569\" data-end=\"894\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe publication includes an introduction by Atelier (Beca Lipscombe and Lucy McKenzie) and Panel (Catriona Duffy and Lucy McEachan), alongside texts by Lucy McKenzie, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMairi MacKenzie\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNicholas Oddy\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJonathan Murray\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLinda Watson\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e","brand":"Beca Lipscombe and Lucy McKenzie","offers":[{"title":"Default Title","offer_id":55488834666881,"sku":null,"price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_667copy.jpg?v=1781025466"},{"product_id":"passer-by-atelier-eb","title":"Passer-by: Atelier EB","description":"\u003cp data-start=\"0\" data-end=\"792\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eAtelier E.B: Passer-by\u003c\/em\u003e examines an essential facet of the fashion industry: the world of mannequins and retail display. Since the Surrealists took them up in the early twentieth century, mannequins have been an enduring motif within fine art. Lipscombe and McKenzie un-pack the disciplines of window dressing, look to radical thinkers and makers who dissolved the dividing line between fine art and commercial display, and piece together a compelling narrative that encompasses ethnography, statuary, dolls, the world fairs and our digital future. This catalogue, like the traveling exhibition, is a meticulous and idiosyncratic study of the hierarchies which have historically separated the spheres of art and design, examining the border between commercial display and exhibition-making.\u003c\/span\u003e\u003c\/p\u003e","brand":"Beca Lipscombe and Lucy McKenzie","offers":[{"title":"Default Title","offer_id":55488861569409,"sku":null,"price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_302.jpg?v=1781022036"},{"product_id":"purple-no16","title":"Purple Magazine No. 16 (Spring\/Summer 2003-04)","description":"\u003cp data-end=\"977\" data-start=\"449\"\u003eThis issue embodies \u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e\u003cem\u003ePurple’\u003c\/em\u003es\u003c\/span\u003e influential blend of fashion, photography, art, literature, and cultural commentary that helped define the “anti-fashion” aesthetic of the late 1990s and early 2000s. Contributors from the broader Purple circle included photographers and artists such as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTakashi Homma\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMark Borthwick\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAnders Edström\u003c\/span\u003e\u003c\/span\u003e, and others associated with the magazine’s distinctive documentary-style visual language. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1474\" data-start=\"979\"\u003eA notable feature of No. 16 is “Tender Tokyo\", a photographic project by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTakashi Homma\u003c\/span\u003e\u003c\/span\u003e portraying contemporary Tokyo and featuring figures such as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMaho Shimao\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTakuma Nakahira\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKumiko Aso\u003c\/span\u003e\u003c\/span\u003e, and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRyuhei Matsuda\u003c\/span\u003e\u003c\/span\u003e. The issue also includes monochrome photographic portfolios and fashion editorials from key photographers of the era. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Olivier Zahm and Elein Fleiss","offers":[{"title":"Default Title","offer_id":55637241659777,"sku":null,"price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_994copy.jpg?v=1781091600"},{"product_id":"purple-15","title":"Purple Magazine No. 15 (Spring\/Summer 2003)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis Purple issue features an amazing 46-page portfolio by Wolfgang Tillmans, including subjects such as Conor Donlon, Alex and Lotta Volkova. In addition, Terry Richardson unveils a black\u0026amp;white shooting with cult director John Waters in Comme des Garçons Homme Plus, and other contributions by Jens Hoffmann, Nick Tosches, Dike Blair, Miltos Manetas, Pierre Leguillon, Dominique Gonzalez-Foerster, Laetitia Benat, Giasco Bertoli, Cecile Bortoletti, Lizzie Bougatsos, Justine Kurtland, Emmanuelle Mafille, Masafumi Sanai, Jeff Rian and others that perfectly represent the anti-fashion movement of the time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Olivier Zahm and Elein Fleiss","offers":[{"title":"Default Title","offer_id":55637244051841,"sku":null,"price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_1062_adaa942c-4100-4bb5-8a5b-ff18e28b015b.jpg?v=1781091363"},{"product_id":"details-feb-1986","title":"Details Magazine February 1986","description":"\u003cp\u003eThe February 1986 issue of Details Magazine is best known for capturing the pulsating energy of downtown New York nightlife, as well as an exclusive, notable feature on avant-garde fashion.\u003c\/p\u003e","brand":"Annie Flanders","offers":[{"title":"Default Title","offer_id":55637315420545,"sku":null,"price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_1019.jpg?v=1781084531"},{"product_id":"details-october-1985","title":"Details Magazine October 1985","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe October 1985 issue of Details magazine was a quintessential reflection of the 1980s Downtown New York scene. It famously features a portrait of legendary country singer Patsy Cline and photography by the renowned artist Marcus Leatherdale.\u003cbr\u003e\u003c\/p\u003e","brand":"Annie Flanders","offers":[{"title":"Default Title","offer_id":55637442625921,"sku":null,"price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_1025_f4d3fb05-628b-4e3f-b4da-38018f999371.jpg?v=1781084195"},{"product_id":"nancy-honey-woman-to-woman","title":"Woman to Woman","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn this body of work from 1990, Nancy Honey sets out to define and distinguish the various strands that make up her sense of femininity. How does sexuality manifest itself in her, and what is the difference between what she feels and the ubiquitous stereotypical mass cultural images that surround her? How conditioned are her responses? It consists of 22 colour triptychs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nancy Honey","offers":[{"title":"Default Title","offer_id":55645701144961,"sku":null,"price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_08copy_1.jpg?v=1781020854"},{"product_id":"nancy-honey-entering-the-masquerade","title":"Entering the Masquerade","description":"\u003cdiv class=\"p-description max-w-lg\"\u003e\n\u003cp\u003eThis is a book and exhibition project that explores the importance, in a woman's development, of the poignant period between ages 11 and 14. It centres on girls at home, school and their fantasies.\u003c\/p\u003e\n\u003cp\u003eIt is a documentary project, working with girls in 4 UK schools in Bath and Yorkshire.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Nancy Honey","offers":[{"title":"Default Title","offer_id":55645719527809,"sku":null,"price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_15copy.jpg?v=1781020914"},{"product_id":"nancy-honey-poodle-parlour-1","title":"Poodle Parlour","description":"\u003cp\u003e\u003cspan\u003eA long-time wish to do a fashion shoot came true when Nancy Honey took over the reception room of a chi-chi poodle parlour on the outskirts of London.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nancy Honey","offers":[{"title":"Default Title","offer_id":55645917217153,"sku":null,"price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_03copy.jpg?v=1781020826"},{"product_id":"joel-smith-hujar-contact","title":"Hujar:Contact","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan lang=\"EN-GB\" data-contrast=\"auto\"\u003eHujar:Contact\u003c\/span\u003e\u003c\/em\u003e\u003cspan lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eexplores the Morgan Library \u0026amp; Museum’s extensive archive of original contact sheets and job books made by the beloved photographer Peter Hujar between 1954 and 1986, which come together to form an enthralling visual document of the artist’s creative process. Hujar’s empathetic eye focused in on varying subjects – crowds of protest, damaged relics, farm animals – but above all he was preoccupied with making portraits of the overlapping circles of artists, writers, and underground luminaries he moved within in New York. Accompanying critical texts by Joel Smith establish a chronology of Hujar’s contact sheets, presenting an artist developing, experimenting with, and refining his practice against the tumultuous cultural politics and sea changes of gay life conveyed by the words ‘Stonewall’ and ‘AIDS’.\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6}'\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cimg\u003e\u003cimg\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\" data-contrast=\"auto\"\u003eThroughout his career Hujar recorded more than a thousand photo shoots in his job books. These documents, transcribed and annotated by Olivia McCall\u003c\/span\u003e\u003cspan lang=\"EN-GB\" data-contrast=\"auto\"\u003e, illuminate the contact sheets, rich in never-before-seen images as well as the earliest iterations of Hujar’s most iconic works, including portraits of Susan Sontag, David Wojnarowicz, Candy Darling, Gary Indiana, Fran Lebowitz, and Paul Thek. This volume provides captivating insight into a master at work, forming an immersive chronicle of Hujar’s poignant efforts to connect, through photography, with the creative communities that defined his life, outlook, and art.\u003c\/span\u003e\u003cspan lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\" data-contrast=\"auto\"\u003eCo-published with the Morgan Library \u0026amp; Museum, New York, on the occasion of the exhibition ‘Hujar:Contact’, on show from 22 May–25 October 2026\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Joel Smith","offers":[{"title":"Default Title","offer_id":55665310925185,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_244.jpg?v=1781021251"},{"product_id":"christopher-anderson-index","title":"Index","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA life isn’t a straight line; it doesn’t conform to an easy narrative. 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Produced for designers, manufacturers, and dressmakers, it sits between magazine, sample book, and industry catalogue.\u003c\/p\u003e\n\u003cp data-start=\"347\" data-end=\"696\"\u003eThe publication combines fashion spreads with mounted fabric swatches, showcasing a wide range of materials including velvets, cottons, synthetics, beaded textiles, and experimental weaves characteristic of late-1960s production. Alongside imagery of garments and silhouettes, it presents fabric information as a primary visual and tactile resource.\u003c\/p\u003e","brand":"Trends: Fashion and Fabric Magazine","offers":[{"title":"Default Title","offer_id":55763534938497,"sku":null,"price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/cdr_1010copy.jpg?v=1781094795"},{"product_id":"cross-current-magazine","title":"Cross Current Magazine, Issue Eight, Spring\/Summer 2026","description":"\u003cp data-start=\"0\" data-end=\"33\"\u003e\u003cem data-start=\"0\" data-end=\"33\"\u003eIssue Eight, Spring\/Summer 2026\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"35\" data-end=\"327\"\u003eFeaturing \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLuca Guadagnino\u003c\/span\u003e\u003c\/span\u003e in conversation with the dreamlike photography of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMark Borthwick\u003c\/span\u003e\u003c\/span\u003e, alongside new work from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCecily Brown\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJonah Paz\u003c\/span\u003e\u003c\/span\u003e in The Row, and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRoos Van Bosstraeten\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"329\" data-end=\"755\"\u003eElsewhere, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAnders Eström\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDanny Reed\u003c\/span\u003e\u003c\/span\u003e collaborate with model Malin Rudnick; \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eOla Rindal\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVanessa Reid\u003c\/span\u003e\u003c\/span\u003e explore \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMichael Rider\u003c\/span\u003e\u003c\/span\u003e’s debut collection for Celine; and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDuane Michals\u003c\/span\u003e\u003c\/span\u003e visits longtime friend \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVince Aletti\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"757\" data-end=\"841\"\u003eAlso included is a photography portfolio by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eOlivia Reavey\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"843\" data-end=\"954\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCover One: \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLuca Guadagnino\u003c\/span\u003e\u003c\/span\u003e photographed by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMark Borthwick\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e","brand":"Clarke Rudick","offers":[{"title":"Default Title","offer_id":55794453250433,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/IMG_3173.jpg?v=1781186402"},{"product_id":"middle-plane-magazine-12","title":"Middle Plane Magazine 12","description":"\u003carticle id=\"middle-plane-12\" class=\"product\"\u003e\n\u003cdiv id=\"product_info\"\u003e\n\u003cdiv id=\"product_read_more\" class=\"active\"\u003e\n\u003cdiv id=\"product_read_more_wrap\"\u003e\n\u003cp\u003eFEATURING:\u003c\/p\u003e\n\u003cp\u003eAlasdair McLellan\u003cbr\u003eAlessandro Furchino Capria\u003cbr\u003eAlexander Krantz\u003cbr\u003eBianca Raggi\u003cbr\u003eCatherine Opie\u003cbr\u003eColin Dodgson\u003cbr\u003eDanh Võ\u003cbr\u003eDanny Reed\u003cbr\u003eFrank Lebon\u003cbr\u003eGillian Wearing\u003cbr\u003eHans Ulrich Obrist\u003cbr\u003eHenry Taylor\u003cbr\u003eJane How\u003cbr\u003eJuergen Teller\u003cbr\u003eJulie Greve\u003cbr\u003eJodie Barnes\u003cbr\u003eKingsley Ifill\u003cbr\u003eLéopold Duchemin\u003cbr\u003eLuc Tuymans\u003cbr\u003eMarie Chaix\u003cbr\u003eMark Kean\u003cbr\u003eMartín Sabino \u003cbr\u003eMax Pearmain\u003cbr\u003eOliver Hadlee-Pearch\u003cbr\u003eSam Penn\u003cbr\u003eSecret Snow\u003cbr\u003eSunday Rose\u003cbr\u003eSuzanne Koller\u003cbr\u003eTess Petronio\u003cbr\u003eThomas de Kluyver\u003cbr\u003eand more.\u003c\/p\u003e\n\u003cp\u003ePlus an exclusive insert by the artist Mark Leckey showing a new work made for this issue of Middle Plane Magazine.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product_read_more_close\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product_cf\"\u003e\n\u003cdiv class=\"product_spec\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003cdiv id=\"shopify-section-product-recommendations\" class=\"shopify-section\"\u003e\u003c\/div\u003e","brand":"Roni Monhait","offers":[{"title":"Default Title","offer_id":55794669846913,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/a413ba61-1556-4158-af6d-2cb4c1b71e54copy_07e48a94-15e9-45e2-9965-b66c5c31d634.png?v=1781188823"},{"product_id":"show-notes","title":"Show Notes","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 2020, Dal Chodha published \u003c\/span\u003e\u003ci\u003eSHOW NOTES\u003c\/i\u003e\u003cspan\u003e - an original hybrid of journalism, poetry and provocation. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFront row murmurings \/ waffle and embroidery\u003cbr\u003eJet-set woman \/ punk city gloss \u0026amp; rigorous line\u003cbr\u003eThe real surprise? \/ Stubby sheepskin boots\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe texts are the deconstructed diary entries of a frenzied writer attending fashion shows in London, Milan and Paris. Revised and rebooted from reports written for \u003c\/span\u003e\u003ci\u003eWallpaper*\u003c\/i\u003e\u003cspan\u003e magazine over a period of three years, these reflections on clothes, stage sets and the language of PR insist on the authority of the word in an age and an industry possessed by the image.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough fashion revels in the power of its iconography, the endless scroll of our digital existence has made it impossible to see what is right in front of our eyes. \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSHOW NOTES\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e challenges us to look again at dress to discover the complex reality of 21st-century culture, with sartorial omens of climate change, the glittering catacomb of consumerism, the abolition of gender, the cocooning of Gen Z, and the hypnotic impact of mass media.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dal Chodha","offers":[{"title":"Default Title","offer_id":55796018905473,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7613\/files\/WhatsApp_Image_2026-06-12_at_14.32.02.jpg?v=1781271525"}],"url":"https:\/\/www.clairederouenbooks.com\/collections\/fashion-1.oembed?page=2","provider":"Claire de Rouen","version":"1.0","type":"link"}